
Comedy road movie laughs at machismo, male rivalry and confronting an affair
Eleanore Beatty April 25, 2022 ArticleA motion picture about a taxi driver and his passenger in Mexico takes viewers on a funny journey close to the matter of a scorned spouse and adultery to examine the this means of appreciate, sexual intercourse, friendship and do the job.
“The concept is to normalize the conversation between men, in between buddies, communicate about emotions, and laugh a very little at machismo—and not vilify females,” mentioned Mexican actor Mauricio Ochmann in an interview with NBC News.
“¿Y Cómo Es Él?” (titled “Backseat Driver” in the U.S.) premieres nationwide in decide on American theaters on Friday. The movie tells the story of an unemployed partner, Tomás (played by Ochmann), who travels from Mexico Metropolis to Puerto Vallarta to confront Jero, a taxi driver (played by Omar Chaparro) who is possessing an affair with Tomás’s spouse (performed by Zuria Vega).
Both equally guys finish up with each other on a 540-mile generate back to Mexico City in Jero’s taxi, where they turn into not likely good friends together the way.
Ochmann claims that the street vacation not only normalizes how men can share their thoughts, but also difficulties the way people think about women and adultery.
“In Mexico, frequently, if a male is unfaithful, he is even applauded,” Ochmann stated. “But if the woman is unfaithful, they put disqualifying adjectives on her as a substitute of possessing a perspective that when this kind of event occurs, it is a shared truth.”
“¿Y Cómo Es Él?” interprets to “What is he like?” Spanish-language viewers will understand the phrase from a well known song by Jose Luis Perales, in which a man asks his lover about his rival, the guy who has “robbed me of everything.” The movie is a remake of a 2007 Korean film.
While the story focuses on the experience among Tomás and Jero, Ochmann states the movie eventually creates an opportunity for equally characters and viewers to split out of their shells and obstacle the views that condition their day to day realities.

The movie, directed by Argentine director Ariel Winograd (“The Heist of the Century”), was scheduled to be unveiled in 2020 but was delayed by the pandemic. It was unveiled this month in motion picture theaters in Mexico before its U.S. release on Friday.
It was co-produced by actor Eugenio Derbez, 1 of the stars of the Oscar-successful movie “Coda.” Derbez also created the optimum-grossing Spanish-language movie to date, 2013’s “Instructions Not Incorporated,” which garnered $100 million.
Exhibiting the nontourist landscape
Puerto Vallarta has come to be an global tourist vacation spot that appeals to People to its boutique hotels, purchasing shops and beachside places to eat.
But Mexican actor and comic Omar Chaparro states the movie needs to show a facet of the town that travelers could not be familiar with.
“I think that just about every city has its possess strength, spirit, which definitely becomes a character in videos,” Chaparro told NBC News. “In this circumstance, the director tried using to exhibit the heart of Puerto Vallarta. Not the vacationer place with all those big accommodations, but the small eating places manufactured out of wooden and straw where by locals try to eat.”
Though the motion picture puts the highlight on a regional aspect of Mexico, Chaparro says that its tale is appealing to each Mexican and American viewers simply because it follows a universal blueprint.
“If you pay back attention, road videos and buddy videos normally glimpse for opposites the place people start out hating each and every other and then make distinct connections along the way,” he mentioned.
When questioned about his character, Chaparro describes Jero as a “psychologist of the road” who enjoys acquiring conversations with passengers and offering them assistance.
Chaparro reported Jero and Tomás need each and every other to locate a alternative to their challenges. In this feeling, the movie holds up a mirror to viewers, urging them to glance for 2nd probabilities in daily life.
“Times adjust, and if you don’t adapt or reinvent oneself, you are heading to tumble down a gap,” he reported. “And that is what transpired to each of them.”
Arturo Conde
Arturo Conde is an editor and a bilingual freelance journalist. He writes for La Opinión A Coruña and has been published in Fusion, Univision and Metropolis Restrictions.
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