Vanessa Bowman paints the earth about her: the 19th-century village church, her again backyard, the leaves on the trees in the fields wherever she walks her dog. At the time she has chosen a scene from her rural Dorset idyll, she puts brush to canvas, sometimes poring about the particulars for days in her studio.
There are still days to go before House of Gucci lands in cinemas, but the fashion industry may as well go ahead and hail Ridley Scott’s thriller as the most successful fashion film for a generation. Certainly, there is no denying the fact that the actor who plays the protagonist is the axis around which